Car Boot Vinyl Diaries

Car Boot Vinyl Diaries
Showing posts with label dolly parton. Show all posts
Showing posts with label dolly parton. Show all posts

Tuesday, 30 September 2014

One plus one equals everything

There's little I enjoy better than a country duet, and the 1960s and 70s gave us the best from several classic pairings.  I've picked up a few examples at car boot sales this year, all for next to nothing.


The duo on the Porter Wagoner Show
Dolly Parton joined the long-running Porter Wagoner Show in 1967 aged 21 after being invited by the country star. She replaced Norma Jean, who'd also been a relative unknown when she joined in 1961.  Jean left when she married (although there are rumours of a broken romantic entanglement with Wagoner).




She'd been well loved by the loyal audience of "Mr. Grand Ole Oprey" and it took Dolly some time to win them over.

Although Jean had appeared on the show for many years, she'd never performed duets with him.  As part of Wagoner's plan to ingratiate her with his viewers, Dolly performed many, and during the 60s and 70s they recorded a total of 139, 21 of which made the Billboard Country chart.

Their first album of duets was Just Between You & Me (1968) and was followed by 12 others up until 1980.  It was the second of these that I bought for £1 in the summer:

Porter Wagoner & Dolly Parton - Just The Two Of Us
(1968) [1971 in the UK]

It's a wonderful album of songs mainly about love and various heartaches, with a couple of darker songs thrown in for good measure (Wagoner recalls a fan at a concert asking "Ain't you killed enough dogs 'n' kids in your songs?") and a lovely cover of Dark End Of The Street. It made no.5 on the country album chart.

The album was released in the US in 1968 and the same year the pair were awarded the Country Music Association (CMA) for Vocal Group of the Year, as well as the Music City News Award for Duet of the Year which they went on to win twice more.

Once Dolly's solo career began to take off she made the move to leave Wagoner's TV show.  This led to a breakdown in their friendship, although they continued to make albums together until the mid-70s.  Famously, her no.1 smash I Will Always Love You was written about Wagoner, and although some legal wrangling ensued once Dolly really hit the big time, they eventually reconciled and remained close friends until Porter's death in 2007, aged 80.

If you have a spare £70-ish you could do worse than spend it on this box set of their complete recordings that was released a few months ago: http://www.superdeluxeedition.com/news/dolly-parton-porter-wagoner-just-between-you-and-me-1967-76/  Looks lovely!


Former rock 'n' roll singer Conway Twitty (real name Harold Jenkins) switched to country in 1965 and finally hit the no.1 spot in '68 with Next In Line.  This marked the beginning of a long and successful career that included a staggering 55 no.1 singles as well as 21 top twenty solo albums in the 1970s alone (US Country charts).

In 1971 he teamed up with Nashville star Loretta Lynn.  By this time Lynn was already a member of the Grand Ole Oprey, country music's biggest-selling female artist and the first of those credited with writing a no.1 single (You Ain't Woman Enough in 1966).

Their first album as a duo was We Only Make Believe (1971) which raced straight into the top three, and it was their fifth album Feelins' (1975) which I got for £1 earlier this year:


Loretta Lynn & Conway Twitty - Feelins' (1975)

Including a cover of the Sir Douglas Quintet's She's About A Mover and the title track (their first no.1 single), their characters as a fictional couple give the impression of a husband and wife who drive each other crazy in more ways than one (see Dyn-O-Mite and You Done Lost Your Baby), with a deep-seated love and shared humour unlikely to fade.  It makes for a great listen; Conway had a beautiful clear baritone and I just love the way Loretta's overbite makes her pronounce her 'S's.

The pairing of Loretta and Conway remains the most successful in country music, with eight of their 11 albums reaching the top ten, four of these going to no.1, as well as multiple awards and chart-topping singles.  Sadly Twitty died aged just 59 in 1993.  Lynn is still going strong aged 82.


A similar warmth and humour is apparent in the duets of Johnny Cash and June Carter, although of course in their case the love is the real thing.  The pair married in 1968 (his second marriage, her third) 13 years after they originally met, remaining together until their deaths just months apart in 2003.   I got a copy of their 1973 album Johnny Cash & His Woman a few weeks ago, also for £1:

Johnny Cash & June Carter Cash - Johnny Cash & His
Woman (1973)

Although billed as an album of duets, in fact June only gets to share lead vocals on three tracks, my favourite being The Color Of Love, a funny, touching look at the realities of married life.  June performs backing vocals on another four songs, including some laughing and screeching on their cover of Chris Gantry's Allegheny.  She is entirely absent from the remaining three tracks as far as I can tell, which is a shame as the duets here are by far the best songs on the album.  I'd highly recommend their Duets album (2006), which contains their best work together, including bit hits like Jackson and It Ain't Me, Babehttp://www.allmusic.com/album/duets-mw0000812507


'First Lady of Country' and two-times divorcee Tammy Wynette married fast-living country superstar George Jones in 1969.  George's talents as a songwriter and performer were matched by his appetite for alcohol and eventually cocaine, and this sadly contributed to his and Tammy's split some six years later.  Despite this they continued to work together, releasing a further three albums post-divorce to add to the six they made during their married life.


I bought a copy of their 1977 Greatest Hits for just 50p last weekend:

George Jones & Tammy Wynette - Greatest Hits (1977) 

It does just as it promises, presenting their ten biggest hits, such as the chart-topping We're Gonna Hold On, Golden Ring and Near You.  It's a short LP, but very sweet indeed. George's phrasing is impeccable, and his and Tammy's remarkable voices blend perfectly.



A song each from the first three records featured here appear on the Car Boot Vinyl Diaries Cloudcast Episode 7, as well as a host of other boot sale-sourced vinyl introduced by me, your inept car boot DJ.   And no doubt a George 'n' Tammy tune (or two) will pop up in future episodes.




(Title of post refers to "In the arithmetic of love, one plus one equals everything, and two minus one equals nothing" - Mignon McLaughlin)




Saturday, 23 August 2014

Golden Years part 4

I've picked up quite a few compilations over the past few weeks.  Some of them are multi-artist albums, which I'll cover in a future post, but I'll run through the single-artist ones here.

Firstly, in a 3-for-£1, singles collections from the King & Queen of country; Kenny and Dolly:
Both Sides of Dolly Parton (1978) & The Kenny Rogers Singles Album (1978)

Both released in the UK in 1978, this pair of compilations by past Glasto tea-timers really hit the spot with their melodic country-pop taking in tales of cheatin', beatin' and hard times.

For £1 was this greatest hits from the wonderful Gladys Knight & the Pips:

Gladys Knight & the Pips - Super Hits (1974)

The 15-strong album compiles hits such as I Heard It Through the Grapevine, Friendship Train and their beautiful cover of Kris Kristofferson's Help Me Make It Through the Night; the second most successful version of this much-recorded song after that by country singer Sammi Smith.

Next up, for £3, not strictly belonging in the single-artist category but essentially the work of one man, Phil Spector's Echoes of the 60s:


Phil Spector - Echoes of the 60s (1977)

Apart from his Christmas album and the odd track here and there, my record collection was severely lacking some Phil, so I was delighted to find this album of wall-to-wall Wall of Sound brilliance a few weeks ago.  It's got everything you'd expect to find; Bob B. Soxx and the Blue Jeans, The Ronettes, Darlene Love and loads of Crystals.  It opens with the magnificent River Deep, Mountain High from Ike & Tina Turner; an exhilarating start with a quality that doesn't dip before the end of side 2.

From the same boot sale, costing £1.50, was another collection of the highest quality; this time from good old Motown:

Jimmy Ruffin - Greatest Hits (1974)

Big brother to David, Jimmy broke through in 1966 with the first song on this compilation; What Becomes of the Brokenhearted.  This was to remain his biggest hit although there are no clunkers among the 18 songs included.  David appears on final track Stand By Me:




Arizona-born Linda Ronstadt was one of the most popular and best-selling female artists of the 1970s, selling over 100 million records during her career.   After leaving the trio The Stone Poneys in 1968 to go solo, she has recorded in a variety of styles and is probably best-known for her interpretations of songs by other artists.  I picked up her 1976 Greatest Hits for £1:


Linda Ronstadt - Greatest Hits (1976)

It includes Different Drum from her days in the Stone Poneys, a cover of the Everly Brothers' When Will I Be Loved, and my favourite; her version of Neil Young's Love Is A Rose.

Another £1 find was this John Lennon compilation:


The John Lennon Collection (1982)

This was the first of Lennon's work to be released after his death in 1980, reaching no.1 here in the UK, making it the 10th best-selling LP of 1982.  Like Jimmy's album above, it too contains a cover of Stand By Me, taken from 1975's Rock 'n' Roll album.  This is the only cover, the rest being a good overview of his solo output beginning with the UK no. 2 single Give Peace A Chance up to 1980's Double Fantasy album, from which it pulls in six of the 17 tracks here.

Last but not least, again for £1, was Indiana Wants Me from R. Dean Taylor:


R. Dean Taylor - Indiana Wants Me (1973)

According to the sleevenotes, Canadian singer, songwriter and producer Richard Dean Taylor was the first white artist to have a hit on Tamla Motown.  In the UK this was Gotta See Jane, a tale of a man speeding back to the love he left, jumping red lights all the way, with pursuing police siren effects, which reached no. 17 in 1968.  The title track is similarly themed, as the protagonist, a man wanted for the murder of his girlfriend's lover, is hunted down by the Indiana police force, again with suitable sound effects.  This one reached the top spot both here and in the US in 1970.  My favourite song on the album is the Northern Soul tune There's A Ghost In My House, originally released to indifference in '67.  After becoming popular on the NS scene it was re-released in '74 and squeezed into the UK singles chart at no. 41.


Picked up any good compilations lately, crate-diggers?  Let us know in the comments below, or tweet me your pics @VinylCarBooty.


Friday, 8 August 2014

Episode 7 of the Cloudcast online!

The newest episode of the Car Boot Vinyl Diaries cloudcast has been uploaded to Mixcloud and features vinyl treasures from Bob Dylan, The Elgins, Tramline, Wings and loads more including a great long song for the Boot of Loot.





Hope you enjoy it!



Friday, 27 June 2014

Diamonds in the dirt

A couple of weeks ago I was rifling through a box of records at a car boot sale (so what's new?).  I say records; it was more like a box of empty and torn sleeves, dirt and a few shards of broken vinyl, but I carried on regardless, ever hopeful of finding something worth playing/actually playable. My luck was in and I pulled out a dog-eared copy of an album I'd read good things about, but never heard before - Trio by Dolly Parton, Linda Ronstadt and Emmylou Harris.

The gals: Linda, Dolly and Emmylou.



Trio (1987)
These three Queens of Country are all heroes of mine and this album had been on my wishlist for a while, so I was delighted to find it for just £1.

Trio wasn't their first attempt to collaborate in this way. They'd tried during the 70s to record some material but as they were all such busy and successful artists, and all on different labels, this made finding the time to give such a project their full attention too difficult.

They finally got it together in the second half of the 80s and the result was 1987's hit album on Warner Bros. Records.

A collection of traditional country-style covers and a lovely original by Dolly called Wildflowers, Trio is an absolute gem of an album.  Given the talents involved, it couldn't really suck, and it doesn't.  As well as the glorious vocals of the ladies, who harmonise beautifully and provide b/v's for one another with none ever overshadowing the others, plus Emmylou's acoustic guitar on three tracks, members of the band include the likes of Ry Cooder, Albert Lee and in-demand sessioneer David Lindley.

Of course the project was wildly successful, reaching no.1 on the US Country chart and 6 on the Billboard chart.  The first single to be released off the album was their cover of the Teddy Bears' 1958 no.1 single To Know Him Is To Love Him which went to the top of the US Country singles chart, followed by Linda Thompson's Telling Me Lies (no.3), Those Memories of You (no.5) and the sweet Wildflowers (no.6).

My car boot copy came with the added bonus of an amusing set of communiqués between a former owner and his pal:



Well, that's something you don't get with mp3s, anyway.  Viva vinyl!

P.S. REALLY looking forward to watching Dolly at Glastonbury on the box Sunday teatime.